My teacher's words come back to me.
"You dance too small,
too soft,
too quiet."
A year ago I could, and did, claim lack of technique, lack of lessons, for dancing that way. So I studied, took lessons, practiced. Experimented.
I danced bigger ("with more expression!")
I danced harder ("more dynamically!")
For awhile.
While I will probably always be able to point to lack of good technique in these things, after all I never stop learning and developing as a dancer, these days technique isn't really the at the heart of the issue.
Dancing bigger seems to, except for rare occasions, make me feeling like I'm wearing someone else's clothes. It's okay for playing dress-up, but it's not really me.
I recently watched a video of myself dancing with a leader I've danced with a long time. For once, I managed to dance without caring about the camera. This gentleman has been dancing with me since my very first dance three years ago - and I'm sure that contributed to my relaxed state. I danced for him even though we had the entire room to ourselves. We had an audience. My dancing was quiet, soft and small. But it felt right. I felt like me.
It felt like home.
Comments
As for technique, I am looking forward to a lifetime of learning.
Oskar
Dieudonne - Agreed. Missing you on the pista lately.
Janis - thank you for the encouragement.
April - thank you so much for reading and for commenting. I'm so glad you visited!
Oskar - thank you (and thank you for reading.
I've been thinking about this lately. There's nothing wrong with people who have impeccable technique, but for me the bigger question is why do I dance tango? Sure, better technique may help, but if I don't start from the place of the feeling that I want and keep heading in that direction, what's the point? I'm climbing the wrong mountain.
Beautiful. There is nothing more important in life like feeling at home whenever that is. Hope that you continue to dance that way forever.
hope to dance with you soon at any milonga.
Juan
Indeed Mari, this means too small, soft and quiet for the teacher, not you.
The tango teaching world abounds with people who like big, hard and loud - because these attributes are good for teaching. They're rarely as good for learning or for dancing.
"My dancing was quiet, soft and small. But it felt right. I felt like me.
Well discovered, Mari. Good luck!