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Showing posts from August, 2011

From the Mail Bag - More on the Cabeceo

Images, edited for this post, were obtained from morguefile.com . I received two emails from readers, one leader and one follower, regarding my continued "rabid" support of the "archaic" cabeceo.* (All I wrote in the last post was that a good, clear cabeceo knocks my socks off. I didn't think that sounded rabid .) Normally I simply agree to disagree. You can choose to participate in this custom or not - no one, not even me, is going to force you. This time, however, I couldn't help noting that in previous messages to me, they had both complained about not getting the dances, with the dancers, that they wanted. So I asked if the cabeceo was at least moderately used in their communities. As it turns out, yes - about half or more people use it in these two separate communities. My answer to them? You can't have it both ways. If you choose to ask verbally in a community that uses the cabeceo, or where the dancers you most want to dance with u...

Taking the Leap

(picture from Morguefile.com . Used with permission.) "Leap and the net will appear." - Zen Saying When he walked in to the milonga, no one I was sitting with knew who he was. I was tired, so sore, and apprehensive. I tell people, and write in this blog, how important it is to give first, trust first . . . to risk first . But not that night. It was probably selfish, and certainly antisocial, but I kept my distance. I didn't introduce myself and welcome this new dancer to our community like I usually try to do. Since so many others were doing so, I let them make the first move. I just waited. I danced with safe friends that I knew would look out for me to try to shake off the bad feelings I had come in with - both physical and mental. Finally, I saw him dance with La Milonguera. She looked radiant and deeply happy in his arms. Dancing with her, he looked like such a calm dancer - the eye of the occasionally whirling storm around him. I coul...

A Floorcraft PSA from the Mail Bag

A story from one of my readers (from an undisclosed location): Four dancers sitting at a table on the edge of the milonga floor. Three of the dancers have been dancing more than 2 years, the fourth has been dancing about six months. All four dancers watch the couple in the middle of the floor as the leader leads a triple traveling volcada, followed by a waist high leg wrap and ending in a lightening fast gancho. Beginner dancer : Wow! Now that's real tango!! The other three dancers at the table: ::blink-blink:: . . . :: triple facepalm :: Advice from my friend: Just a reminder, be sure to set a good example for the young'uns. *PSA - Public Service Announcement

Workshops with Jorge Torres

Review I broke my rule to take Jorge Torres's classes. Usually, I don't sign up for classes from a teacher I haven't seen dance socially. I have very little money available to spend for lessons, so I want to know how a teacher handles himself, or herself, on the social dance floor. That isn't always possible, but it is my preference. In this case, enough people told me to take his workshops, and if possible a private, that I decided not to wait and just book on faith. No fewer than 10 people personally recommended Torres to me - and they did so quite emphatically. They called him "The Philosopher." They recommended his technique, posture and balance training very highly and since that's what I'm always after, I couldn't very well resist. I attended all 7 classes and shared a private lesson with one of my dance partners over the course of 4 days. The balance and technique classes that Jorge Torres is so famous for were very...