I've been having trouble consistently nailing my ochos. As soon as I stopped having such a wobbly axis, I seemed to have trouble pivoting enough - and with enough disassociating to make the step look and feel smooth, graceful .. and precise.
I got a bit of advice from my instructor Monica, who I believe she said she got from Silvina Valz, regarding turning during ochos. She said pivot until you can see your butt (over your shoulder). How literally you take that is, of course, up to you. To my surprise, I found it incredibly helpful in remembering to disassociate my hips and first of all, not use my partner for leverage, and second, it gave me something more tangible to monitor my consistency.
Do you have other ways you monitor how a step or movement needs to "feel" or look to know you've completed it correctly?
(PS - that's me looking for my ocho booty and modeling my new Flabella tango shoes. :) )
I got a bit of advice from my instructor Monica, who I believe she said she got from Silvina Valz, regarding turning during ochos. She said pivot until you can see your butt (over your shoulder). How literally you take that is, of course, up to you. To my surprise, I found it incredibly helpful in remembering to disassociate my hips and first of all, not use my partner for leverage, and second, it gave me something more tangible to monitor my consistency.
Do you have other ways you monitor how a step or movement needs to "feel" or look to know you've completed it correctly?
(PS - that's me looking for my ocho booty and modeling my new Flabella tango shoes. :) )
Comments
But it seems to me that this exercise would ruin your posture and torque your head.
If you are in the embrace, and your head relaxed in contact with your partner, you have to FEEL that your ochos are pivoting and correct; you can't count, nor should you, on your eyes--in fact, you should be able to shut them.
Beautiful shoes, by the way!
and thanks tons about the shoes! :) Let the shoe addiction begin.
Hope this helps!
Then, when dancing, move (lead your movements) with your upper torso, as if you have an eye in the middle of your upper torso that is looking at your partner, and forget about your feet.
With getting balance, I have simply practiced walking--walk & step first on the back of your foot, then a step on the ball, then the toes, to familiarize yourself w/how the steps feel & your weight distribution. I am told (& this has been working for me) to do pivots on the ball of the foot, keeping your weight in the "middle". I have been doing so now and have been keeping my balance. Also, I've been told, to keep balance, dance into the floor.
I did all of this for a whole hour while dancing w/a newbie who was learning to lead the ocho for the first time, and I didn't lose my balance once! I did have to remember to close before pivoting once in a while, but I think I should remember from now on!